Jeff Gates’ CV

ART PROJECTS

Karoline Leavitt, from "Faces of the Republican Party"

Karoline Leavitt, from “Faces of the Republican Party,” © 2025, Jeff Gates

FACES OF THE REPUBLICAN PARTY, 2022 – Present

THE GOP’s HOUSE OF CARDS, 2024
Poker Deck Featuring Portraits from “Faces of the Republican Party”

CHRONICLES OF AMERICAN POLITICS, Google Arts & Culture, 2010 – 2021

CHAMOMILE TEA PARTY, 2010 – Present

UNDERGROUND POSTERS, Washington, DC Metro Ads, 2012

ARTISTS FOR A BETTER IMAGE, 1989 – Present

MY TWEET TOOTH, Twitter, 2008

DICHOTOMY: IT WAS A MATTER OF TIME AND PLACE, 2001

JEFF AUCTIONS HIS PERSONAL DEMOGRAPHICS ON eBAY, 1999

IN OUR PATH, 1983 – 1993
Photo documentary about the “last freeway to be built in LA”

PHOTOGRAPHS, 1974–Present

ARTISTS for a BETTER IMAGE, Non-profit organization formed to study artist stereotypes in contemporary culture, 1989–Present

BARRIO MOBILE ART STUDIO, Self Help Graphics, East Los Angeles, 1976

 

SELECTED EXHIBITIONS/COMPETITIONS

2025 Presentation, Los Angeles County Supervisor, Holly J. Mitchell, exhibited photographs from In Our Path in her community presentation on eminent domain

2024 Solo Exhibition, “Faces of the Republican Party,” American University Museum

2024 Graphis, Poster Awards 2025 (Silver Award)

2022 Graphis, Designers for Peace (Honorable Mention)

2022 Two Years, Many Lives, Barcelona, Spain

2021 Finalist, Poster Stellars, First Intercontinental Poster Competition

2021 Bienal de Diseño de Perú

2021 Graphis, Political Posters 2 (2 Silver Awards and 1 Honorable Mention)

2012 Installation, Underground PostersDC Metro, Washington, DC

2012 Solo Exhibition, Chamomile Tea Party, Curator’s Office, Washington, DC

2008 Group Exhibition, “This Side of Paradise: Body and Landscape in Los Angeles Photographs,” Huntington Library, San Marino, California

1993 Solo Exhibitions, In Our Path, El Camino Community College and Downey Museum of Art, Connected communities on both ends of the newly opened 105 freeway via the internet to discuss the effects of the building of the freeway on their lives

1992 Solo Exhibition, Maryland by Invitation, Baltimore Museum of Art

1989 Group Exhibition, City: Visions and Revisions, Dia Art Foundation, New York City

1982 Solo Exhibition, Breast Plates, Robert Samuels Gallery, New York City

1980, Solo Exhibition, Breast PlatesSan Francisco Camerawork Gallery

1980 Group Exhibition, “Movements/Corps,” Galerie Viviane Esders, Paris

 

ARTICLES and REVIEWS ABOUT JEFF GATES’ WORK

Exhibition Catalogue, “Faces of the Republican Party”
American University Museum, 2024

An Artist’s Polemical Portraits Turn MAGA Grotesque,
Washington Post, “Faces of the Republican Party,” 2024

When MAGAs Roamed the Republic, Print Magazine, 2024

The Daily Heller: Here Today, Gone Tomorrow, Print Magazine, 2021

The New John Heartfield, Print Magazine, 2020

Opp Art: Artistic Dispatches from the Frontlines of Resistance, The Nation, 2018-2025

Graphic Reflections on the Sorry State of US Politics, Hyperallergic, 2018

Remix Politics, Print Magazine, 2018

Chamomile Tea Party: remixed propaganda images for the Trump age, BoingBoing, 2018

The Rightous Mind, Jonathan Haidt, Knopf Doubleday, 2016

These Remixed WWII-Style Election Posters: What Are They Saying?, The Atlantic, 2012

Subway images aim to return civility to politics, Washington Post, 2012

WWII Propaganda Posters Reimagined as Modern Protest Ads, Adweek, 2012

Chamomile Tea Party Urges An End To Partisan Bickering Through Old-School Poster Designs, Huffington Post, 2010

The Lure of the Local, Lucy Lippard, 1997

Scenes of Severed Neighborhoods, Review of In Our Path, Los Angeles Times, 1983

Review of Breast Plates, Artforum, April 1982

 

SELECTED WRITING

We’re Choking On Our Words, 2024

It’s Time to Release Our Own Kraken!, Illumination, 2022

The Lesson Collector, Illumination, 2021

That Portrait of Michelle Obama, Medium, 2018

The Art of Grocery Shopping, Coffeelicious, 2016

I Was a Card-Carrying Member of the “First Moon Flights” Club, Smithsonian Magazine, 2016

Photoshopping the Pain Out of a Memory, The Atlantic, 2016

I Was Taking Pictures of My Daughters. Someone Thought I Was Exploiting Them, Washington Post, 2014

Uneventful: The Rise of Photography, MuseumsEtc, 2013 (Book)

A Wall, a War, and a Black and White World, NPR, 2009

New Roles for Artists in the Information Age, New York Foundation For the Arts, 1996

 

SELECTED COLLECTIONS

J. Paul Getty Museum, Los Angeles

Victoria and Albert Museum, London

Los Angeles County Museum of Art

Centre George Pompidou, Paris

Smithsonian American Art Museum, Washington, DC

Huntington Library, San Marino, California

Baltimore Museum of Art

Seattle Art Museum

Bibliothèque Nationale, Paris

Princeton University

University of California, Los Angeles

 

GRANTS, FELLOWSHIPS, and AWARDS

SXSW, Web Site Finalist, ART/CULTURE Traditional and Electronic Art and Performance for DICHOTOMY: It Was a Matter of Time and Place, 2002

National Endowment for the Arts, Visual Artist Grant, 1984, 1990

Maryland State Arts Grant, 1988, 1991

National Endowment for the Arts, Arts Administration Fellow, 1990

 

WORK EXPERIENCE

LEAD PRODUCER, NEW MEDIA INITIATIVES, Smithsonian American Art Museum, 1998 – 2018

PROFESSOR, PHOTOGRAPHY and COMPUTER GRAPHICS, Maryland Institute College of Art, 1985 – 1997. Various other institutions, including the University of Washington and the Minneapolis College of Art and Design, 1975-1984

 

EDUCATION

MFA, PHOTOGRAPHY and GRAPHIC DESIGN, University of California, Los Angeles

BA, POLITICAL SCIENCE (INTERNATIONAL RELATIONS), Michigan State University

 

To view my past work in my detail, visit the ART PROJECTS section of this site.