Artistic Tendencies / 08.08.2004

Sometimes suburbia so mundane. I grew up in a tract house in the epitome of a 1960s suburb: LA's San Fernando Valley. Oh, over the years I've rebelled. Homesteading in Baltimore's inner city had its charm for a while. I remember my stepmother being scared to death to come to my place the night before my wedding. After their visit I escorted she and my father to a waiting taxi, hoping they'd be in attendance at the nuptials the next day. Los Angeles is segregated enough so that one need never encounter less-than-stellar neighborhoods. Three thousand pounds of automobile protects Angelenos should...

Artistic Tendencies, Fairly Odd Parents-Past, Idiosyncratic Celebrations / 02.11.2003

We're having Indian Summer in our nation's capital. Yesterday the temperature rose to 80 degrees (27 C). Today will be the same. It is a day when not riding your bike in padded Lycra® bicycle shorts should be a capital crime. I'm in a warm mood.

This is perfect timing. It coincides with one of my favorite days of the year, El Día de los Muertos, The Day of the Dead. While death is more of a taboo subject in this country, it's treated much differently in Mexico.

Right after graduate school I took my first job in East Los Angeles as part of the Barrio Mobile Art Studio. BMAS was part of a larger community arts program, Self-Help Graphics. Using a van, four artists went to schools and adult centers in the area where we conducted workshops in painting, sculpture, puppetry and photography. Using the inside of the vehicle as a darkroom I taught children and seniors photography. I was also the only Anglo in the program.

In a way, the community felt very comfortable to me. In the 30s and 40s East LA was a mixture of Jews, Latinos, and African Americans. My mother grew up there. And in the 60s I lived in Pacoima, in the East San Fernando Valley. Home to Ritchie Valens, Latino culture was prominent in Pacoima back then.

Artistic Tendencies, Fairly Odd Parents-Present, Idiosyncratic Celebrations / 30.05.2003

September 15, 1990

It was a match made in an art gallery. I was there to support Maryland Art Place in its annual bid to keep its head above water. She had a piece in the benefit show. It was the best piece there: a glass book.

My art making philosophy is simple: A + B = C. That is, put one incongruous idea next to another and, hopefully, it will yield something new and thought provoking. A glass book fit the bill perfectly. Ten minutes later I met her. She was with another man, her date. He introduced us. We started talking as he wandered away. His loss.

She left a message on my machine saying she was going out of town for a couple weeks and would give me a call upon her return. She never did. She recounts today that she had just about given up on meeting that special someone even though she thought of me every day. I had to do some serious sleuthing before I found her.


January 26, 1991

Our first date. I was living in Baltimore but was coming into DC for the anti-war rally on the National Mall (you remember Gulf War I). I was staying with friends and she and I agreed to talk after the rally to set up the specifics.

The phone rang and the machine picked up before my friends answered. Unbeknownst to either of us they listened as we negotiated our first date dance. The audiotape recorded our overly polite posturing for posterity. We only found out about this when they played it for us on our first anniversary.

We ate Ethiopian for our first dinner and found out we both collected cacti. It was a match made in the Southwest desert. I was happy we recognized each other after the four months since our first meeting.


June 1992

We dated for a quite a while before deciding to take the big leap: a trip together. I was giving a talk in London. She was organizing a show of her work in Hamburg.

The very first argument of our lives together occurred in Kasel where we went to see Documenta. We were staying out in the Kaselian suburbs and had to catch an early train for Cologne —she had an appointment to show her work to a museum. I spoke German, she didn’t.

While I was busy dragging our luggage to the street, I suggested she find the concierge and ask her to call us taxi. It was going to be impossible to hail one in that quiet neighborhood. As I stood there she came out and said she couldn’t find her.

She came out too fast. I knew she hadn’t even tried to talk to her. It was the first time I had caught her in one of those tiny white lies I’ve learned to love. We were late and were about to miss our train for her appointment.

“You didn’t even try, did you?!” The tips of her mouth moved imperceptibly. But I could tell. She had obviously never been caught before. “We’re going to miss the train if you don't find her.” “But I don’t speak German.” I put my fingers to my ear and mouth. In my best early morning imitation of a phone receiver I mouthed the words Telephone and Taxi. “It’s the same in any language.” I said. She turned around and went back in.

When she returned she was beaming, as if she’d just climbed Mt. Everest. She recounted her ascent. “I knocked on her apartment door and she answered, her hair in curlers. I gave her your message and she understood immediately [See!]. She was very apologetic. I think she said she should have known. The taxi’s on its way.” Relief.

We just made the train and laughed about our tête à tête on our way west. Hmmm. Laughing after an argument. That was a new and very surprising sensation.


Artistic Tendencies, Fairly Odd Parents-Present, Mechanical Aversions / 11.05.2003

I, the fashion maven that I am, have declared the 1960s are back! In particular that oh-so-special tie dye look. Well, ok, I messed up. But it really wasn’t my fault. I followed my wife’s point-by-point instructions for removing spots from my girls’ tops and now I have, sitting in front of me, a pile of clothes with all these wonderful patterns. I’ve convinced the girls they look cool and I’m reading them bedtime stories about flower children. I've got their interest but I will have to work a bit harder to convince my wife. Here’s what happened: I washed the tops in...

Artistic Tendencies, News Outta My Control / 13.03.2003

"Another Poster for Peace is a group of designers who are commited to the peaceful and just resolution of the current crises in the Middle East. Our goal is to help create a grassroots campaign for patriotic dissent as a counter to the onslaught of fear and warmongering currently in the media. If enough of us voice our dissent, we can raise the level of public engagement and concern to a point at which politicians will have to sit up and pay attention. If enough of us voice our dissent, we will be heard." All posters are downloadable, copyright free (you...

Artistic Tendencies, Fairly Odd Parents-Present, Idiosyncratic Celebrations, News Outta My Control / 23.11.2002

I have always been interested in the social aspects of technology: that is, how new ideas brought on by technological development seep into the everyday lives of regular folk. In the last few months I've been contacted with greater frequency by subjects of my writing or from those who have been alerted to my stories in the process of a doing a web search. Googling is becoming a natural process. And the interactions I'm having because of it add to my sense of the enlarging net community. In September I began my 9/11 story with a quote by Jenna Jacobs, wife...

Artistic Tendencies, Book Reports, News Outta My Control / 11.09.2002

We are lucky enough to know that we are more than our losses. Jenna Jacobs, Wife of Ariel Jacobswho was killed at the WTC In Jonathan Safran Foer's novel, Everything is Illuminated, Foer's American protagonist, Jonathan, searches for the Ukrainian woman who hid and protected his grandfather from the Nazis during World War II. But it is Alex, Jonathan's Ukrainian guide, who ultimately understands the meaning behind the search. His narration and letters to Jonathan become our guide. His broken English is hard to understand but if we read carefully we are rewarded with insight and meaning. During the past year I have...

Artistic Tendencies / 13.08.2002

Some are headline type of people but I'm mostly a peripheral sort of guy. The edges and the background are where I like to live. If you know me, you might be surprised to hear me say that. I can be pretty forthright and direct. But it's the underneath and in between I really love. Take music. One of my secret desires is to be a backup singer. My voice is not lead material. And I hold no illusions about its quality. American Idol is neither my desire nor quest (I'm a much better critic of my range and choice of...

Artistic Tendencies, News Outta My Control / 06.07.2002

Once again the news is authenticating my life. The latest example comes from New Scientist magazine. It is reporting that studies now show that people become more eccentric as they age: "Odd and eccentric behaviour increases with age—but flamboyant behaviour becomes less pronounced, according to a new UK study." Coincidentally, I've been thinking about my, um, specialness (ok, quirks) for the last month. This is what happens when an artist moonlights as a bureaucrat. To offset the effects of paper pushing, project managing, and heavy administrative duties most federal workers cultivate outside interests—hobbies: sports, stamp collecting, and primping one's car,...

Artistic Tendencies / 22.06.2002

This past week I participated in the The World Mediation Summit here in Washington, DC. Attended by government workers, cultural representatives from numerous embassies, artists, and cultural workers, it was sponsored by the US Department of Art and Technology and the Goethe-Institut. In my duel roles as both Deputy Secretary of the Department (working directly under the Secretary, Randall Packer) and Under Secretary for the Office of Artist and Homeland Insecurity, I was asked to give some opening remarks: The events of September 11 have caused all Americans to look at the world and our lives in new ways. We are beginning...