Gracias por haberme invitado aqui a hablar con ustedes hoy. Yo hablo poco Español, asi que continuo en Ingles. Vamos a empezar.
I'm used to speaking in front of large groups of people. But even though I've been doing it since my days as a college prof, I always get just a little bit nervous. In fact, I go through the same regimen every time I ready myself to speak. Suddenly I hear myself saying: "I don't want to give this talk. I DO NOT want to give this talk!" I've heard myself repeat this pre-presentation mantra so often I now laugh when the inevitable thought comes to mind. I always get nervous. It's a way of keeping me on my toes and down to earth. I'm used to it.
But I'm not used to speaking to people who don't understand me. I don't have to visualize everyone naked to relax. Instead, I just think of my speeches as conversations. No matter how large the audience may be, I always find someone in the crowd I can talk with. So as the days and hours before my Spanish speaking debut closed in I wondered: how can I have a conversation with people who don't speak my language? Yes, there was going to be simultaneous translation but would the subtlety of my verbal and visual jokes translate? Would they get it? I needed to connect with them so I had good reason to be nervous this time.
Thanks to the help of my kind organizers I put my whole PowerPoint and a handout into Spanish. And, most importantly, I rehearsed my opening remarks in Español. In the shower and on the john I thanked everyone for inviting me here to Aranjuez (that's Aranjueth with a th, just like the natives pronounce it). I wanted to look them in the eyes when I said it. You know, like I was really chatting with them.
When I was first invited to speak here I had fantasies of giving this talk entirely in Spanish. But that was dashed decades before this engagement when I totally rejected the Latino culture I grew up in and took, first French and then German in high school and college. A lot of good that did me now. Thank you for inviting me to speak to you here today. I speak a little Spanish so I'll continue in English. Let's get started!
Suddenly, I was sitting up in front of the room all by myself. Everyone had earphones; I could hear the translator in her soundproof booth. Rufino Ferreras Marcos introduced me. I felt like I was speaking in front of the U.N. I took a sip of water, trying to steady my hand as I brought it to my muy seco lips (they were so parched I sounded like I cotten in my mouth).
And then I had an idea. It was crazy but I was on a different planet by then. I took out my camera and suddenly told everyone: "I have to take a photograph of all of you to prove to my bosses that I really am giving a talk this week in Spain and not on vacation." I lifted the camera just as the translator finished. They laughed; I snapped. We laughed. Un peso pesado levantado fuera de mí.
Later that evening I retold this story to said bosses, attaching the photo as proof. Our museum's deputy director quickly responded, telling me my photo didn't prove a thing. I wasn't even in it! When I told the group this the next morning they laughed again. But then someone quickly produced a camera. And there was a picture of me taking a picture of them. Proof positive.
Yep, I found a few people in Aranjuez to chat with this week. It was no vacation but it did have its moments.
Related Stories: Traveling Abroad: A Pre- Pre-flight Checklist and Spain: The Post-Flight Recap

Globalization: The Tennessee Bar in Aranjuez, Spain
Estoy en España, mis amigos. And so far, my detailed packing technique has yielded no forgotten essentials. My one suitcase weighed 21 kilos, just under the 50 pound limit and my supersized backpack was filled to the brim with computer and camera cables (and power bars) of every kind. The flight over was uneventful for the most part. I actually slept (the first time I've slept on a plane in steerage class). The young woman I was sitting next to kept coughing on me but was kind enough to assure me that even though she had had whooping cough a few years ago and it kept coming back, she wasn't contagious. Thank you kind young woman. Your assurances were comforting.
I am sitting at my hotel room desk, connected to their WiFi. My computer's plug is nestled in its European adapter and I've downloaded a few photos to my laptop I took earlier on my first soujourn around the town. My family and I have talked via Skype. So all is well with the world and this global traveler.
Of course, we had nothing much to say --we just saw each other fourteen hours ago. With no time for the girls to get on each other's nerves, Mom was happy and we simply marveled at the technology that made us feel we were next door. After hanging up, my wife called back to ask where I'd put the lawnmower goggles. Yes, a totally normal bit of information exchange.
My talk is on Tuesday. I must prepare for it but my mind can't get out of my original time zone at the moment. Mañana...
]]>
Boat house with concrete lighthouse for sale. A photo from my last trip to a Spanish-speaking land: Puerto Rico.
Ok, true confession: I am a neurotic traveler. Well, to be more specific: I am a neurotic pre-traveler. With one week to go before heading off to Aranjuez, Spain to give my first international talk (El uso de los blogs dentro de los museos de corte tradicional/New World Blogging in a Traditional Museum Setting), I'd sleep much better if I was entirely packed and ready to go. I'm always afraid I'll forget something. A MacGyver I'm not.
Spanish translated PowerPoint: check (on thumb drive, on CD, on .mac drive and ftp site --yeah, that should cover it); clothes decisions made (hot weather, casual conference they tell me): check. Laptop: check and already nestled in my new international trip backpack. While not entirely a "light" traveler, I like to travel as light as I can: unencumbered both physically and mentally. Until now I've managed never to have taken my laptop on any trip, business or pleasure. But then again, I haven't traveled out of the country for nine years. Yes, I'll admit to that too.
When I started to consider international calling plans to keep in touch with the family, I suddenly discovered Skype. For someone who's supposed to be on the technological cusp this was a long overdue revelation. Free PC-to-PC telephony --a new tech development since my last international trip. That, alone, made taking my computer irresistible. Tested on our laptops, my two girls now think they have an in-house walkie-talkie. It's not that I haven't traveled to far-flung places: the interior of China twice, way way off the beaten tourist paths. I've just been focused on domestic issues for a while. Yeah, that's a good way of spinning my isolationism.
Oh yeah, don't forget your opening remarks in Spanish (although I need to practice). I had fantasies of giving my whole talk in Español but I only got through the first 20 lessons of Coffee Break Spanish. Should it come up I can say with confidence: Tengo dos hijas. I have two daughters. I guess I haven't come to the lesson "So you're giving a talk on museum blogging in Spain" yet.
What's really funny about these language lessons is that I learn more useful phrases when they talk to you in Spanish about the lesson itself. I experimented with Pimsleur a bit and came away remembering that most useful phrase Escuchar y repetir: listen and repeat. Well, they repeated so often I couldn't help but remember it. And in Coffee Break Spanish I will be able to weave into my presentation: Vamos a empezar: Let's begin.
So, there's a pile of travel stuff starting to grow in the corner of our bedroom. And I keep some paper and a pencil next to my bed so I can write down additional items I need to take when I suddenly remember them in the middle of the night.
Forget the excitement of arriving in Madrid. I can't wait for the excitement at my airport arrival for takeoff. By then I'll have remembered everything or not. And I can just relax and enjoy the trip. Geez, Jeff, it's only a week.

One of my father's early buying sprees: two sport coats for under $40, size 44L. Click image for a larger view.
Happy Father's Day! Wait, you didn't get the memo? I was out of town last weekend so here at Chez Gates we're celebrating Father's Day today. Last week I went "home" --back to Los Angeles for the opening of a photo show I'm in at the Huntington Library. And, as luck would have it, I had an unscheduled chance to reconnect with my father.
My sojourns back to L.A. are always frenetic and filled with mixed emotions. Too much family history. Arranging meetups with relatives and friends while driving the severely clogged freeways is exhausting. As always I'd pay a visit to my parents' graves (sadly, my family reunions are slowly moving from my relatives' homes to Mt. Sinai Memorial Park). But this time I had one day all to myself so I scheduled in some culture. Starting with a small show of George Hurrell photographs at the California Heritage Museum in Santa Monica, I then made a beeline down Wilshire Boulevard to the L.A. County Museum of Art to see their new Broad Contemporary Art Museum. The eight and a half miles from start to finish took an hour. There is no "immediately there" there in LA these days. But it didn't matter. I had no appointments to keep or so I thought.
As I drove through Beverly Hills I passed South Beverly Drive and without warning I thought of my father. South Beverly Drive: my father used to buy his suits at a men's shop on this street. What was its name? Malibu Clothes, that was it. As a youngster my father dragged me with him on his periodic trips to buy his suits (you can imagine how exciting it was to tag along with dad to a stuffy store to buy clothes). He bought me my first sport coat at Malibu for my cousin's bar mitzvah in the late 50s. But what was so intriguing back then was the gatekeeper at the store's entrance. They sold wholesale decades before outlets and you had to be referred in order to get in. There was always an old man sitting at a counter waiting to get your name. It was my first brush with exclusivity. To a seven year old it was like a secret club.
Now I was trying to unearth this flashback. I continued on my drive towards the museum but the memory gnawed at me. And when I noticed a free curbside-parking slot I pulled over to google the store. Could it still be there? If something lasts twenty years in L.A. it's ancient. Yes! According the Web page Malibu Clothes had been in existence for 65 years! I called to make sure this was it. "Is this the store where you have to be referred in order to get in?" I asked. "Yes" came the answer. "My father used to buy me suits there. Do you think you'd still have our names on file?" "Oh, we keep all records," came the reply. I turned around.
When I entered the second floor store my vision of the place returned with total clarity. This was definitely it. There was the small counter where you gave your name and as I looked up I had confidence they would be able to find records of our familial visits. Before me stood the largest rotating card file cabinet I'd ever seen. Thousands upon thousands of 3x5 cards with clients' names were filed away. I told them who I was but they couldn't find any record. Perhaps it was under my father's name. Suddenly I remembered the last time I was in there.
]]> It was 1975. Fresh out of graduate school I was about to go on my first interviews for a college teaching job. And my father wanted to buy me a suit for the occasion. Looking for a teaching position in a suit was a bit overkill. But that was my father's vision of a job interview. I remember one interviewer at the College Art Association's job "meat market" stating: "Why you're the only one who looks like he's looking for a job!" My father had a hard time saying how proud he was of me. But this was one way he could. It was camel-colored three-piece affair. The memory was complete.The man looked under my father's name and pulled out a thick stack of cards stapled together. There in his hand was the 45-year history of my father's clothes selections. After examining his cards, the salesman stated: "Ah, I remember your Dad." When I told him he had died eight years ago he said they'd remove him from their list. "Can I keep his cards?" I asked.
According to their records, my father first came to Malibu Clothes in 1955, referred by one Ray Buchman. I had no idea who that was. In December 1956 he bought two sport coats, each under $40, and a pair of slacks. Every time he bought something they marked it on a card. I thumbed to the last card dated August 18, 2000. Handwritten ledgers from the early years had given way to bar codes: three pair of slacks. A month later he'd be in the hospital and a month after that I'd make a hasty trip to L.A. for his funeral. Here it was: a side of my father I'd never thought of. Almost a decade after his death I had retrieved a rich history of him on a whim this past Father's Day weekend.
I should tell you, when it comes to tailored clothes I'm a sucker for old world charm. I wear jeans to work but sometimes I need to dress up a bit. In the last few years my sport coat purchases have largely been confined to flea markets and second hand stores (with one major exception when I learned to luxuriate in bouclé). In these vintage stores I'm on my own and often find clothes that "almost" fit perfectly. So it's nice when my desire to find something a bit different than the conservative blue blazer meets someone who knows their trade. I love when a tailor masterfully makes a coat fit me perfectly. And this was that place. I asked to look around.
I spied a light-colored two button piece. "That's made of bamboo," Marv, my salesman for the day, stated. Let's see, you're a..." "I'm a 42 Regular, I cut in." "Hmmm, yes, but let's try this half size larger. No, you're right. You are a 42." It looked good. I looked very good. But I was afraid to ask the price. "These sell at Barney's in New York. You can imagine how much that might be," Marv said. For the uninitiated good quality sports coats can go for as much as $600-$1000. I'd been to Barney's. I believed him. I could feel the quality in the fabric. But I was willing to walk away if need be. This was an impulse visit, but I wasn't an impulse shopper.
"So, how much is this?" I asked. He looked down at the label to translate the secret price code (this is wholesale and they take precautions I assumed). "This one's $275." OMG, I thought. Now I understood why dad came here all these years. This was a steal. As I pondered my decision, a new customer walked in: an old gentleman shuffling slowly with the aid of a walker. Clearly they knew him well. They didn't have to ask his name before they pulled his cards. He was in town from New Orleans to buy some suits.
A few alternations, my jacket should be arriving Monday to show the family. My daughters look out at the bamboo in our backyard and can't imagine just what a coat made of those shoots would look like. Now I have my own card at Malibu Clothes. And, guys, if you ever need a good quality coat or suit wholesale, just drop my name. Make your own history.
Him: Are those flowers real?
Me: When's the last time you brought flowers to your wife?
Him: I'm not married.
Him 2: Did he say those flowers were real?
Her: They're real. I can smell 'em.
Subway Conversation, Thursday Afternoon

When it all began.
I'd been lamenting over what to get my wife for our 15th anniversary. Fifteen is crystal. But we're not crystal types. Being the good gift giver that I am the bar is always set high. And, as good gift givers know, it's not the money; it's the thought that goes with it that really counts.
Now, I could go crystal but it would have to be so bad it was good. Know what I mean? So kitschy that we'd laugh and she'd place my trinket in a special place of honor. Every time we'd look at it we'd laugh and she would be reminded why she married me (or maybe she'd first remember and then laugh).
Time was getting short. I felt the pressure. So much so I was resigned to consulting female coworkers. Yes, that close. Coming up with a good gift is an art. It can't be forced. But as I walked through the 8th Street open-air market on Thursday I spied my rock solid fallback plan. Saying it with flowers should not, cannot be underestimated.
What is it with flowers? Women succumb to their fragrant charms every time. Yet those same female coworkers have reminded me: "it's the thought, you clueless man. It's the thought. It shows you're thinking of her." And so I am. Thanks ladies.
So, when I walked through the door on Thursday with my bouquet (the day before our anniversary, I might add), her reaction was wonderfully predictable: "Oh Jeff!," she cooed. This, gentlemen, was a very good sign.
Yesterday, as I stood in front of the Cheesecake Factory to celebrate this event with the kids (tonight we'll celebrate with our own romantic dinner for two), my wife and the girls arrived with a small package. My youngest, the ever-eager gift-giver, couldn't wait a second to spill the beans: "Wait until you see what Mom has for you!" I was asked to close my eyes and hold out my hand. When I opened them I was holding a real crystal, a very special one from Susie's father's collection (he was an avid collector of rocks and minerals).
It will occupy a special place in our home. But laughing will be the farthest thing from my mind.
Related Post: For you romantics who can't get enough: Such a Match!.

Reminiscent of another photograph. Click photo for larger image.
Recently, a friend from out of town came to visit. She wanted to go to Arlington Cemetery to visit her father's grave and she invited us to go with her. As I stood looking over the rows and rows of tombstones by her father's grave I turned around and saw a familiar sight. Looking around I discovered it isn't only wives who can be buried next to their military husbands, but husbands of military wives, daughters, sons, grandchildren and even stepchildren.

My Root Canal on Twitter
It's all Melanie's fault. In March I received an email from her extolling the virtues of twitter, that micro-blogging, naval-gazing, Web 2.0 service. I knew about twitter but was totally uninterested in subscribing to a service that would allow me (force me!) to post short little "tweets" about what I was doing at the moment. More importantly, why on earth would I want to follow others doing the same? But she persevered.
In her email she said: "You're receiving this because you're among those open minded smart people I know who gets that things have changed and we need to understand the future. Right?" Right. And she went on to demonstrate how she was using it in the classroom. Ok, I was intrigued. A former prof, I have always been curious about how to get people interested in new ideas. And, now that I'm a veteran museum professional (ten years last month!) I'm constantly exploring and evangelizing new ways to connect the net to the museum.
So, I opened a twitter account. The artist in me soon found the limitations of the medium interesting: how could I be creative in 140 characters? And, given the flotsam and jetsam of the majority of twitter posts, how could I say something interesting? My posts weren't numerous and those following my every word were minuscule. Not a problem. I could see the creativity in the endeavor so I continued.
Last week, as I sat in my endodontist's office waiting to be evaluated for a possible root canal I tweeted: "Waiting to see root canal doc. Of course, my tooth doesn't hurt today." Suddenly, I got an email notifying me an endodontist from somewhere in Canada was following me. I asked for a consult in a short 140 character burst. My real doctor laid it out: 90% chance I'd need the procedure within six months. So I scheduled my appointment and suddenly I connected the dots. I saw the potential for something more interesting than drilling into my enamel: I would broadcast my root canal via twitter.
My twitter-based endodontist thought that was a great idea and tweeted my plans to his twitter followers. Suddenly, as I sat waiting for the drilling to begin geeky dentists and endodontists from around the continent were following me. It was a smart mob of dental professionals.
With iPhone in hand I called up both my twitter page and my twitter reply page so I could post a play-by-play and see the tweets of those following me. They were asking me questions as the procedure began. My endodontist didn't really understand my groundbreaking attempts to use social media to communicate during this medical procedure. But she was a great sport about it. She explained what she was doing and every now and then would stop so I could inform my audience (PDF of my tweets: read from the bottom up).
And, like any conceptual artist worth his weight in ideas I realized the most important thing was to document what I'd done. Just that very morning Rob Pegoraro, the tech writer for the Washington Post had written an article on Twitter. I wrote him and Marc Fisher, another Post writer who had covered my eBay auction back in 1999 (where I auctioned my personal demographics). Marc wrote a piece about my twittered root canal. I've posted the transcript of my tweets as well as the replies (PDF) from those who followed along during the procedure.
I must admit, I was afraid to tell my more normal friends and coworkers what I'd done. Groundbreaking as it might have been, this was pretty crazy, even for me (and some of my fellow conceptual artists thought I was nuts). But a little idea art always makes me feel alive (and after a root canal, that's a nice place to be). This was a demonstration of how social media could forge some interesting relationships. The best art is about just that. I never thought I'd "connect" with dentists from around North America. But my tooth is much better for it.
Related Post: My Previous Root Canal Experience
Update: A permanent home for My Tweet Tooth (getting the title font just right was fun).
A series of "still" images from Godfrey Reggio's Koyaanisqatsi (Quicktime, 26 MB). Click to play.
Earlier this month flickr announced that short video clips could now be uploaded to the popular photo site. Some photo purists were skeptical, even spawning a huge "No Video on Flickr" group. After all, the sanctity of the best still images, rich in implied meaning, could be diluted by zillions 90 second video clips of someone's keg party (and we already have other sites, like YouTube for that). Flickr said the ninety-second limit was to encourage "long photos." There are contemporary videographers and filmmakers who have used video or film to create sublime still images: the best long photos. And one of my favorites is Godfrey Reggio.
I will never forget the first time I saw Koyaanisqatsi, Reggio's 1983 film about contemporary "life out of balance." I was mesmerized by his long drawn out shots. It gave me time to study the scene and, in part, that was the point: to stop moving and consider the consequences of going through life at an increasing interstellar speed. Sometimes there was lots of activity in the frame. But there were times when he pointed his camera at a scene that, on first glance, appeared to be a photograph. It was a still image with all the implications connected with still photography: observations of a slice of frozen time and a consideration of the photographer's framing and associations within that frame.
Yet given the chance to observe closely there was movement. The characters in this "still" were breathing and blicking and moving. When I saw his scene of Las Vegas waitresses standing still but not still, I was blown away (the vernacular I used in the early 80s when I first saw the film). To this day it is my most favorite scene of any movie I have ever watched. I literally held my breath for its entire duration wondering how long it would go on. The intensity of that shot was immense. It forced me to really look. And that has always been my goal as a photographer: to make people observe what's going on inside my images for as long as I can. That is the mark of a successful photograph. Not so easy in a culture heavy with daily sound and sight bites always vying for our attention and beckoning us to move quickly from one to another.
Life precariously balanced on a fulcrum. Las Vegas Waitresses is the best long photograph I have ever seen. I could watch those women stand still forever.

Let My People Go (or you'll get the biggest headache)!
When we were invited to a Passover Sedar this year my children needed to be reminded what it was all about (we don't get invited to a sedar too often). My wife, trying to make it enticing wanted to tell them about the search for the afikomen, the traditional game of hiding of the matzah (ostensibly to keep the children engaged during the pre-dinner service). But in doing so my loving shiksa wife declared: "Girls you'll get to hunt for the ibuprofen!"
Yes, as a child I remember when I thought the long Pesach Sedar was a headache. Well put my dear. but hopefully not this year.
Gotta get off, gonna get, hafta to get off from this ride
Gotta get hold, gonna get, need to get hold of my pride
When did I get, where did I, how was I caught in this game
When will I know, where will I, how will I think of my name
Theme from Valley of the Dolls
k.d lang
Only by sheer routine can I get myself ready for work and out the door each day. I get up the same time; I eat the same cereal; I exercise the same way and I walk the same path to the subway each and every morning. I could do it with my eyes closed. In fact, my eyes are closed.
It's impossible for me to think on any abstract level until I am comfortably seated on the subway. If I forget my lunch or worse yet my staff ID I won't notice until I am on that train. Only then do my eyes finally open and I can begin my morning observation and critique of the human drama sitting right in front of me. I need these extra two hours of pre-commute somnambulism for these higher level functions to work efficiently the rest of the day.
So it wasn't until I actually sat down this morning that I noticed the man sprawled across two seats snoring loudly. LOUDLY. Really loud. I tried putting myself in "another place" by listening to k.d. lang but her soulful alto was no match for this snorer no matter how much I raised the volume. I didn't move even though seats were available elsewhere. It would have done no good. His atonal a cappella permeated the car.
At the next stop I watched people get on. They too were dreaming until they sat down. And then it was too late. Like me, they were cemented to their seats. One woman sat down right in front of our sleeping beauty. She adjusted to his cacophony by conducting an early morning business call. The rest of us were now regaled by the crescendo counterpoints between snorer and project manager. We were privy to her government contracting in between his nostril intake.
Another commuter sat down across from me and after waking up silently mouthed "Wow, that's really loud." I caught her attention and replied (loudly of course): "yes, QUITE loud." While no one, including myself, was willing to leave our comfort zone to tell either or both to pipe down (no matter how uncomfortable we were), the least we could do was commiserate. This is pro forma on these weekday rails: a nod here, a knowing look there. That's how the rest of us communicate in the morning.
Suddenly, a man came walking down the aisle yelling "Aaron Burr was a degenerate. Aaron Burr was A DEGENERATE!" He seemed very agitated (and obviously not in his own comfort zone for quite some time).
Washington: a city exhausted and overworked. This morning only the marginalized had the guts to voice their opinion.

Jukebox Photo Gallery Slide Show at In Our Path
If you are familiar with iTunes' Jukebox Cover Flow (the ability to scroll through your playlist album covers) you might get a kick out of the "cover flow" slide show I've just created with my In Our Path photographs. You can use the scrollbar or your cursor to flip through the entire portfolio. And if you double-click on an image it takes you to the photo's object page with a larger image and accompanying text. It's a nice way of presenting the work as a whole and it's techno-kewl!

The new and improved In Our Path
In the 1980s and 1990s I photographed a swath of Southern California real estate that was to become the Century Freeway, or as it's more commonly called by commuters, I-105. Running east from LAX, this was to be "the last freeway" to be built as part of the state's master plan for the region (although there were many additional freeways proposed and many where completion was still in limbo).
In Our Path marked a big change in the type of photographs I made and how I approached the intersection of art and culture. Up until this time my images had focused on an internal exploration of myself. But from this point forward my work would always be linked more directly with social issues. And since that time I have tried to find a balance between the social, the personal, and the aesthetic.
After the completion of this work I created a Web site for this documentary. But, designed in the "Jurassic Web Design Period" of the mid 1990s, it was starting to show its age. And with The Huntington Library's recent acquisition of the series, along with an exhibition that this work will be a part of this coming June, This Side of Paradise: Body and Landscape in L.A. Photographs, I thought it was time for a site facelift.
You can read about the complexity of this large public project (a court injunction filed by homeowners, the NAACP, and the Sierra Club stopped construction for seven years) and the genesis of my images starting on the site's Introduction page. But most of all, I hope you enjoy the photographs.

Jeff Gates, From a Series of One Acts... #7, 1987. Click on image for larger view.
I've been digitizing many of my film-based photographs from the last century. And using Photoshop to place text on an image is soooo much easier than doing it the old fashioned way, entirely in the darkroom.
Looking at this older work I pause to reflect on my younger days. When I was thirty-five I was impetuous. I don't hate late Abstract Expressionism. But with the world as it is now, the power of the image is too important and powerful not use it to for social and political change.
Ok, I'm still a little impetuous, but more realistic and apprehensive about the global state of affairs these days. I can't wait for spring.

Jeff Gates, From a Series of One Acts... #2, 1986. Click on image for larger view.
One of my photographs is part of an exhibition opening this week at the Baltimore Museum of Art entitled Notes on Monumentality. The show "...reconsiders historic and contemporary conceptions of the monument and monumentality..." Through the work curator Mark Alice Durant asks "Can the idea of the monument continue in an era when social consensus no longer exists?"
The photograph above was taken in the national cemetery at Gettysburg. I was walking along the rows of soldiers' tombstones when I turned and looked the other way to see this inscription on the back of a headstone. I thought it was a telling example of the way women are often conveyed in our society: as an appendage to their husbands. My wife and I were shocked a few years ago when at a reception after a museum talk I gave at another institution she was handed a name tag that said "Susie Krasnican Wife of Jeff Gates." (The name tag still is pinned to our kitchen bulletin board.)
I didn't realize my photograph was to be part of the show until I got an email from the museum's rights and reproduction staff asking me to sign a non-exclusive license to use the image both on the show's brochure cover as well as represent the exhibit as one of its key images. A key image is one that is used when the media requests a photo to accompany reviews or articles about the show. Working in an art museum myself I participate in meetings to pick key images for each of our exhibitions. So it was an added surprise to have my photograph used in this way.
If you're in the Baltimore vicinity stop by and see the show. It's up until May 25, 2008. And bring your husband.
Women have a right to expect that showers and locker rooms are not occupied by persons who retain their equipment.
From the Good Folks at NotMyShower.com
Dinnertime at our house is a family affair. And evening meal is the time when we talk about our day. As father of the brood I am eager to hear the news. When I ask my daughters "How was your day?" they uniformly answer in the typical "youngspeak" of the early twenty-first century: "Goood." (Think slight Swedish intonation with the end of the word rising a bit in pitch.) How's school? "Goood." How's your teacher? "Goood." What did your class think of Jimmy's bloody nose? "Goood."
We never answer the phone during dinner. It's never anyone we want to talk with and besides, we're busy finding out just how good our day has been. We've been on the Fed's National Do Not Call Registry from Day One. But that doesn't stop some from calling. And political calls are, ahem, exempt. Generally, they simply hang up when no live person answers. But the other night we got a dinnertime call and they left a message which we all heard loud and clear. Listen:
Did we need to hear that during dinner? When the message said to press "8" to be removed from their calling list I tried but, because we were listening over the speaker the keypad didn't work (of course, that meant I got this wonderful recording as a souvenir). And then came the questions. Naturally, the girls wanted to know what they were talking about. Sex education and gender identity politics with salmon and a salad.
How was the rest of our dinner? Not so goood.